Sample 1 It is not known when Widor wrote the additional brass parts for his majestic Messe, however their addition certainly adds a distinct colour to the already grand work. Our edition incorporates the brass parts in a new realisation of the full score. Parts are also available for purchase.
It is not known when Widor wrote the additional brass parts for his majestic Messe, however their addition certainly adds a distinct colour to the already grand work. Hamelle in , bearing the plate number J. It is assumed by the editors that the arrangement was made by Widor himself. In preparing this edition, a number of corrections and editorial markings were made. Sample 1 Widor's Symphonie V pour orgue Op. Hamelle in , together with Symphonie VI pour orgue Op. Symphonie V grew to become one of his most popular works. This perhaps influenced him to rework the second movement for piano solo under the title Conte d'Automne, and the fifth movement, the famous Toccata.
Our edition contains an editorial commentary plus corrections to errors in the original edition. Hamelle around , bearing the plate number J. A charming set of character pieces, describing a day in the life of a forest. It enjoyed immediate and lasting success — Prof J. A revival was contemplated in Near, p. The source of our edition is that issued by Heugel plate no. To these, we have added an English translation, provided by Dr Harold Fabrikant and others. An orchestral suite of six pieces was published by Heugel shortly after the piano reduction.
Heugel also released a series of seven separate pieces for piano, however these are almost identical to those included in the complete piano reduction. Both differ considerably from the Heugel piano reduction H. Lemerre, Paris, , alongside an English translation. A full list of editorial corrections is also given. It was dedicated to Mr Vaucorbeil, Director of the National Academy of Music and enjoyed an immediate and lasting success. Prof J. Widor created a piano score Introduction and thirty pieces, interspersed with a storyline and stage directions in French, published , a suite of seven movements for piano solo, extracted and barely modified from the original Op.
Like the piano score, it was published in by Heugel plate no. Widor also revised two piano pieces from the Suite, Op. Those interested in the stage action supported by this score are directed to our edition of the full piano score, wherein a full synopsis, in both French and English may be found.
To be used with full score. In any case, the fifth movement from Six valses Op.
Hamelle in It was available as a single volume at moderate cost, but also issued as five separate pieces at a remarkably high price. The plate numbers were J.
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The title page listed these pieces as follows: 1. Polonaise 2. Scherzando 3. Romanza 4. Volkslied 5. Appassionato However, heading each within the score, three movements have a somewhat altered title. A translation is rarely needed here; if so, this is by the editors. In stressing the inspiration from Rembrandt, the source carries a black-and-white reproduction of the painting on its front cover. It was available as a single volume at moderate cost, but also issued as three separate volumes.
The first and second volumes contained their respective movements only, with the third volume containing the third and fourth movements. This monumental four-movement work is certainly the pinnacle of Widor's output for piano. The work contains many passages of serious difficulty and is not for the faint-hearted or fingered pianist! Sample 1 This edition is based on that published by J. Hamelle c. The editors have appended A to the opus number, to differentiate it from their publication of Ms , to which they have given Op.
In the first music page of the source, the voice line is titled Chant and the accompaniment as Orgue.
Josef Rheinberger - ChoralWiki
Widor published a version of this work as his Op. The accompaniment in that edition consists of apreggiated semi-quaver notes with a bass part that extends past the compass of an organ keyboard, without a pedal part. Widor's own copy of the 2nd edition carries changes for a 3rd edition which was never issued. For our sources in this edition, we have referred to two different editions which nevertheless share the same plate numbers of The majority of Widor's hand-written changes relate to interpretative issues; all but the least-decipherable of these have been incorporated and are noted in the editorial commentary.
For the purposes of comparison, Crescendo Music Publications plans to issue an edition solely based upon the Dutch edition. Charles-Marie Widor's Fantaisie Op. This work became well-known, even popular, for some decades, then disappeared from the repertoire. The Durand 2-piano edition was not published with both piano parts in the one book, making it very difficult for either pianist to see what the other was playing.
In our edition, besides making over fifty corrections to the printed score, we have placed both parts one above the other, as is common practice. It is the editors' belief that the 2-piano reduction was prepared by Widor himself, as no arranger is credited in the source material. This work has not yet been commercially recorded in the piano version.
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There are two modern recordings in the piano and orchestra version. There were scarcely two serenades in the backstage [version], following the text. People have played it often since then. A few extracts were made for varying forces, e.source link
vibrettticmolou.cf -- American Music Center collection of published scores
The complete work was published by Heugel plate number H. Unfortunately, this is not clear. However, there is no mark in the score to differentiate these. Moreover, a list of eleven page references on page includes eight where no change has been made, whether in or In preparing this edition, for the most part, we have added or removed staccato markings without further comment in an effort to bring unity to what is at times sporadic in the source material.
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In addition, a number of corrections and editorial markings were made. There were scarcely two serenades in the [original] Issued in two books, the first bore the plate number H.
It is interesting to note that the two piano parts were issued separately - in different volumes, making it impossible to see what the other pianist was playing. Our edition seeks to remedy that problem, whilst also providing corrections and editorial changes detailed in the introduction.
It is extremely unlikely that a work would be published without a proper title for the assembled pieces. John R. Near's excellent volume Widor: A Life beyond the Toccata gives the first date of issue as , although the opus listing suggests c. The sources for our edition are those contained in Widor's 2me Recueil de Valses [2nd Collection of Waltzes], issued by J. Hamelle in , and a revised version issued in As the same plate numbers, covers, etc.
For the most part, this is the one we have used.
Concerts Archive of OSAKA Collegium Musicum
The earlier source, in the editors' opinion viz. Short passages in the second movement, which differ, have the Bavarian source as ossia. This edition carried the plate number J.